In the years following Glyndebourne Festival's celebrated 1952 revival, conducted by Vittorio Gui, and recorded for LP by EMI, Rossini's work enjoyed a renaissance, and a new generation of Rossini mezzo-sopranoss ensured that La Cenerentola would once again be heard around the world. But Cenerentola gives him a task. He invites the family to a ball that evening, where he plans to find his bride; Cenerentola asks to join them, but Magnifico refuses (quintet: "Signor, una parola"). He finished the libretto in twenty-two days of breakneck work, and Rossini completed the score in an equally hectic twenty-four days. Teresa Berganza stood at the beginning of the Cenerentola Revival. Ferretti worked through the night and had the first parts of the work ready as promised in the morning. The aria is spectacular: it is peppered with difficult runs and high Cs. But a moment later Alidoro … In his fach, Juan Diego is the best tenor in the world. Suddenly Alidoro, tutor to the prince Don Ramiro… Il cappello e il bastone. According to the account given by librettist Jacopo Ferretti, the genesis of this work - whose literary and musical aspects were both created with surprising speed began in December 1816. In short, Rossini's prediction came entirely true, and Cenerentola soon overshadowed even Barber throughout the nineteenth century. They appear and again chase Cenerentola. Nacqui all affano … non piu mesta  –  Supervia, Nacqui all affano … non piu mesta  – DiDonato. Synopsis: Dandini is now also interested in Cenerentola. About. In this recording you first hear the virtuoso coloraturas of Cecilia Bartoli, this great exceptional artist. To present the Cenerentola as a modest girl, he lets her sing a piece completely without ornaments. Ferretti, despite harboring some ill-will against Rossini (the maestro had refused a libretto of his for The Barber of Seville), nonetheless met with the composer and the impresario Cartoni and agreed to join the project. Elizabeth DiFronzo Tisbe, Don Magnifico… Rossini was in Rome and tasked with writing a new opera for the Teatro Valle, to be staged on St. Stephen's Day. The prince and his valet have retired to Ramiro's country house in some confusion, as neither of Magnifico's daughters resembled the worthy bride Alidoro had described. Dandini reveals to Magnifico that he is in fact only a penniless and powerless valet. Synopsis: The sisters wake their father. When Magnifico learns that Ramiro has shown up, he again hopes to fix a marriage with one of his daughters. DG with Teresa Berganza, Luigi Alva, Paolo Montarsolo under the direction of Claudio Abbado with the London Symphony Orchestra and the Scottish opera chorus. Rossinis wrote a rousing opera in just 24 days. Prince Ramiro is going … I walked back and forth in my bedroom with my arms crossed and criss-crossed, and when God willed it and I saw the picture in front of me, I wrote down the draft for La Cenerentola. A loose adaptation of the Cinderella tale without the magic. Thereupon they all go out, leaving Cenerentola by herself. His Don Magnifico was magnifico and the crescendo of this piece is magnifico too. Synopsis: Alidoro returns to Cenerentola and invites her to the castle. Sponsored by. No one is there. However, when he began to suggest topics for the new work, one after another was rejected: too serious for the Carnival season in which the opera would premiere; too frivolous; too expensive and difficult to stage. Don Magnifico, in some embarrassment, explains that she is dead and silences Cenerentola’s protests with threats. Clorinda and Tisbe finally find the prince. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. Unable to make sense of the situation, they all sit down to supper, feeling as if they are in a dream. Thus Ramiro is an enlightened prince, in contrast to the spirit of the times, which got more autocratic again. Back at Magnifico’s house, Cenerentola is humming a song when Magnifico … Born in Turin, he studied singing with Giuseppe Valdengo and Claude Thiolas. Alessandro Corbelli made his LAO debut in 2013 as Don Magnifico in La Cenerentola, returning in 2015 as Doctor Bartolo in The Barber of Seville. Finally, between yawns, and with Rossini half asleep on a sofa, the poet mentioned Cinderella. Meanwhile, Magnifico confronts the disguised Dandini, insisting that he choose one of his daughters to marry. You will see another excerpt from Jean Pierre Ponelle’s comedic adaptation. Nacqui all affano … non piu mesta  –  Bartoli. Synopsis: Ramiro appears. He was pleased with it.” (source: Wikipedia). The premiere took place in Rome in 1817. Miei rampolli femminini  –  Montarsolo/Abbado. A beggar arrives; her stepsisters, Clorinda and Tisbe, want to send him away, but Cenerentola gives him bread and coffee. She embraces her relatives and everyone is moved by her generosity. At this, Rossini roused himself sufficiently to challenge Ferretti on whether he dared write a libretto for the tale; Ferretti retorted with a dare for Rossini to clothe it in music. Their stepsister Angelina, who is called Cenerentola and serves as the family maid, sings … When Ramiro threatens Cenerentola's recalcitrant family, she asks him to forgive them. Ponnelle was a workaholic and produced over 300 opera productions in 25 years. The prince determines to do exactly that ("Sì, ritrovarla io giuro"). Dandini tells them that he can’t marry two at the same time. Alter ebenerdiger Saal im Schloss des Barons mit fünf Türen; links ein Kamin, ein Spiegeltisch, ein Blumenkörbchen und Stühle She is in the kitchen singing the song of the king’s son, who is looking for a woman and had the choic of three at a time. Hectic is spreading among the sisters, and they desperately chase Cenerentola back and forth to get prepared for the evening. Watch one she has done with that aria (see further below). The ladies are outraged at the idea of marrying a servant. Rossini later added to the work and today the work is performed without Agolini’s pieces. Magnifico returns with his daughters. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera Cendrillon (Isouard), with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for Agatina o La virtù premiata, with music by Stefano Pavesi (first performed Milan, 1814). Magnifico frets over the competition his daughters now face from the strange lady ("Sia qualunque delle figlie"), but Cenerentola isn't interested in the "prince," saying she's fallen in love with his servant. When she lifts the veil, there is general amazement, one because they are delighted by the beauty and the two sisters because they believe to recognize Cenerentola. Chance has it that this happens near the castle of Don Magnifico and so he seeks refuge together with Dandini. Alidoro appears in his role as minister. For an 1820 revival in Rome, Rossini wrote a bravura replacement, "La, del ciel nell'arcano profondo". Synopsis:  The axle of the carriage Ramiros is broken. Meanwhile, Don Magnifico has arrived in the wine cellar, where he dreams of becoming a princely cellar master. La Cenerentola premiered on 25 January 1817, and quickly gained popularity both in Italy and internationally, despite a cold initial reception by the critics. Ramiro order to get the carriage ready so that he can start searching right away. Synopsis: Cinderella would also like to go to the castle in the evening and asks Don Magnifico for permission. Inside the defunct mansion of Don Magnifico, Angelina (Cenerentola, aka Cinderella) is busy working as the family's maid, while her stepsisters, Clorinda and … The opera is now considered a staple of the standard repertoire.[3]. Her voice with the fast vibrato is very memorable and her interpretation is enchanting, even if her coloraturas do not come close to those of Berganza or Bartoli. Alidoro, still in his rags, returns to inquire after a third daughter in the house; Magnifico claims she has died. Giacomo Ferretti, the librettist, wrote in his memoirs how it came to the choice of the story of Cenerentola. For many Cecilia is the best Cenerentola on CD. The quintet begins with a canon, and then changes into a beautiful contrapuntal quintet, which is first sung out very melodiously and then becomes more and more chaotic until total confusion is taking over. This aria is incredibly virtuoso and difficult. Inspired by the fairy tale, Cendrillon, Cenerentola follows the story of a young woman who is forced to act as a servant to her mean stepfather and ungrateful stepsisters. Finally, the "prince" arrives – the real valet, Dandini, who has taken his master's place - and Magnifico, Clorinda, and Tisbe fall over themselves to flatter him. Synopsis: Don Ramiro’s envoys have arrived at the manor. La del ciel nell’arcano profondo  –  Pisaroni. Peter Lutz, opera-inside, the online opera guide to LA CENERENTOLA by Gioacchino Rossini. Setting : The mansion of Don Magnifico Range : D3 to E4. The poet had serious doubts about the success of this opera; Rossini, on the other hand, predicted that it would conquer Italy in a year and spread to France and England in another: "the impresarios will fight for staging it, as well as the primadonnas for being able to sing it". Cenerentola… His death was tragic, he fell into the orchestra pit during rehearsals and died a few weeks later of heart failure. Ferretti: “I got tired of making suggestions and was half asleep in the middle of yawning: Cinderella. Rossini did not set it until a year after the premiere, possibly because the singer of the premiere was not technically versed enough. Dinners is served and all have eyes only for the delicacies, except Ramiro and Cenerentola which are in seventh heaven. Al pari del più popolare “Barbiere di Siviglia”, “La Cenerentola, ossia La bontà in trionfo” rappresenta la massima espressione del genio rossiniano nonché del teatro musicale di tutti i tempi. Giacomo Ferretti took Charles Perrault’s Cendrillon as a basis (which was written 150 years before the Brother Grimm’s version) and partly changed the staff (for example, the wicked stepmother became an impoverished gentry family) and removed everything magical. La Cenerentola no es exactamente una ópera bufa al estilo de L’italiana in Algeri, ... para la suerte de todos los presentes. See him from a live recording of the Met. The facsimile edition of the autograph has a different aria for Alidoro, "Fa' silenzio, odo un rumore"; this seems to have been added by an anonymous hand for an 1818 production. Apparently effortlessly she sings her way through this aria. Thereupon they all go out, leaving Cenerentola by herself. Nota bene: at the time of composition we are in the post-Napolitan era and the theme of the Restoration is highly topical two years after the Congress of Vienna. Dandini identifies himself as a valet and chases Don Magnifico away, who must realize the deception. Angelina = Cenerentola (contralto) Prince Ramiro (tenor) Dandini, valet to the Prince (baritone) Don Magnifico, Cenerentola's stepfather (bass) Alidoro, Prince's former tutor (bass) Clorinda, Don Magnifico's older daughter (soprano) Tisbe, Don Magnifico's … Rossini saved some time by reusing an overture from La gazzetta and part of an aria from The Barber of Seville and by enlisting a collaborator, Luca Agolini, who wrote the secco recitatives and three numbers (Alidoro's "Vasto teatro è il mondo", Clorinda's "Sventurata! Rossini had a weakness for thunderstorm music, so you hear a lot of lightning and thunder from the orchestra pit. Magnifico tries to win the favor of the new princess, but she asks only to be acknowledged, at last, as his daughter. The sisters threaten her with beatings if she doesn’t stop with the song. As a prelude he took his old overture from the opera “La gazza ladra”, recitatives and three pieces were written by Luca Agolini. See and hear Juan Diego Flores in a legendary encore on the Met (which is rarely allowed). This opera, as we know it from Mozart’s Buffo operas, is about a social theme, it is a ambiguous comedy. Synopsis: Also Don Magnifico, who just comes from the wine cellar is dumbfounded. A storm is thundering outside. Dinners is served and all have eyes only for the delicacies, except Ramiro and Cenerentola which are in seventh heaven. Don Magnifico Carlo Lepore Clorinda Marie Lys Tisbe Elena Guseva Alidoro Simone Alberghini. Más particularmente el canto. And another crescendo. Synopsis: Don Magnifico appears and the valet alias Don Ramiro announces the arrival of the prince. Conciosiacosache...Noi Don Magnifico. Rossini certainly had a smile on his lips when he composed this sextet. The melody with the crescendo becomes more and more tight, which triggers an enormous pull effect. But they don’t know anything better than to be bitchy in front of Dandini. His fast  sung syllables, the Presto-Sillabato, were legends. Ramiro is desperate, none of them is eligible, although Alidoro had told him about a charming girl. Alidoro is a product of the zeitgeist, he is a philosopher committed to Enlightment. Their stepsister Angelina, who is called Cenerentola (Cinderella) and serves as the family maid, sings her favorite song, about a king who married a common girl. Cecilia Bartoli’s interpretation sparkles with her joy of singing. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto, simply for ease of staging. Se trata del papel de Don … He has just dreamed that his daughters will marry princes and that he will become ancestor of an illustrious family and, a desirable side effect: they would polish up his dilapidated finances. Listen to the opening scene in a version by Jean-Pierre Ponelle in a stylish production which is almost in black and white. Synopsis: In the castle of Don Ramiro. Juan Diego Florez is the great Rossini tenor of our time. Triunfó la música! Y aún más específicamente el magnifiquísimo DON MAGNÍFICO de Carlos Chausson, capaz a sus setenta años de llenar la escena … They take their anger out on Cenerentola. (scuotendosi dal guardar Ramiro, e parte) Dandini Perseguitate presto Con i piè baronali I magnifici … Nacqui all affano … non piu mesta  –  Berganza. Alidoro sabotages Ramiro's carriage so that it breaks down in front of Magnifico's manor, forcing the prince to take refuge within. This evening he wants to choose the most beautiful as  his bride, the emissaries announce that he will visit themin a few moments. But she rejects his advances, she is in love with his valet. He was a famous man all over Europe and his greatest success, the Barbiere di Siviglia, was not yet two years old. Watch a hilarious staging form the paris opera. Signor … Altezza in tavola .. Mir par d’esser sognando – Abbado. For them, Cenerentola was a comedy, but it was also supposed to hold a moral. Each of the numbers of this opera is a great piece, especially the ensemble scenes are of the greatest mastery. Cenerentola can’t believe her luck when she arrives at the prince’s castle. A beggar knocks on the door. Quelques éléments ont également été modifiés. Don Magnifico Dalla al Principe, bestia, eccolo lì. Ferretti had prepared a list of 20 themes, but none of them were financially or artistically suitable. An existing libretto, Francesca di Foix, had unexpectedly been vetoed by the papal censor, leaving no time to amend the text so that it might satisfy all parties involved (censorship, impresario, and authors). Buenos Aires, 2014. Ferretti replied, "despite my tiredness, tomorrow morning!" don magnifico (la cenerentola) – personajes de la Ópera Hoy vamos a dedicar nuestro espacio a un personaje importantísimo de la ópera La Cenerentola de Gioacchino Rossini . The final stretta of the duet is sung magically by the two singers. Also this appearance of Cenerentola is calm. Synopsis. When the room is empty, Ramiro enters alone, disguised as a valet. The Congress of Vienna, which ended a few years earlier, restored the prerogatives of the nobility after the French Revolution. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. So the other would have to marry the valet, which the two reject with indignation. They invite the sisters to the castle the same evening. Synopsis: Also Don Magnifico, who just comes from the wine cellar is dumbfounded. Clorinda and Tisbe, daughters of Don Magnifico, are in the middle of one of their usual arguments. Cenerentola feels pity and secretly gives him coffee. Magnifico explains that she is only an ordinary maid. When Cenerentola wants to reply, Magnifico forbids her to speak. Time stands still and the whole ensemble sings a beautifully ornamented quintet. Everyone is amazed that it is Cenerentola. The American is doing great masterclasses. Overhearing this, Ramiro is overjoyed and steps forward. The two sisters are upset about the new competition. La Cenerentola, which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. He plays with the consonants grr, trr, rr to reinforce the feeling of amazement that follows the revelation of Cinderella. In fairy-tale times, Clorinda and Tisbe, daughters of Don Magnifico, are in the middle of one of their usual arguments. Rossini was the king of the Crescendi. With Rachelle Durkin, Patricia Risley, Elina Garanca, John Relyea. Alidoro then arrives with a beautiful, unknown lady who strangely resembles Cenerentola. Ramiro wants to meet the daughters of the house. Rossini composed La Cenerentola when he was 25 years old, following the success of The Barber of Seville the year before. So he will find her and see who she is and where she lives. When Rossini wrote the Cenerentola, he was 25 years old and it was already his twentieth opera. After the one-time sale of their work to the theater impresario, they no longer had any exploitation rights and had to write new operas on an ongoing basis to generate income. A thunderstorm comes up. Cenerentola has to bring him a chair and Ramiro recognizes the bracelet on her hand. Courtiers follow, announcing that Prince Ramiro will come to visit while he searches for the most beautiful girl in the land to wed. Cenerentola's stepfather, Don Magnifico, hopes to use this as an opportunity to save his own failing fortune. Rossini and Ferretti called the work a “dramma giocoso”. Ramiro intends to find her incognito. He wants to chastise Cenerentola for the presumptuous request, but Ramiro and Dandini intervene. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto, simply for ease of staging. The prince is disguised as a simple valet. After the rest of the family leaves, Cenerentola … This callousness isn't lost on Ramiro. La Cenerentola ossia La bontà in trionfo Dramma giocoso in due atti Libretto di Jacopo Ferretti Musica di Gioachino Rossini pERSONAGGI Don Ramiro, principe di Salerno tenore Dandini, suo Cameriere basso Don Magnifico, Barone di monte Fiascone, padre di basso Clorinda, e di soprano Tisbe, soprano Angelina, sotto nome di Cenerentola, figliastra di Don magnifico … Two days before Christmas a censor had rejected their planned subject and now Rossini, Ferretti and the impresario Barbaja sat together to choose a new subject. Play La Cenerentola (1992 Remastered Version), ACT 1: Noi Don Magnifico ... (Coro/Magnifico) Song by Ian Wallace from the album La Cenerentola. Your email address will not be published. While Montarsolo was a formidable actor next to his good voice, Dara had the virtuoso humour in his voice. Realizzata in … Synopsis: Meanwhile Dandini gives Ramiro  a report about the sisters, whom he calls “arrogance” and “vanity”. Un segreto d’importanza  –  Spagnoli / Corbelli. Synopsis: Cinderella’s back in the house. Cinderella is identified not by a glass slipper but by her bracelet. Don Ramiro descubre gracias al brazalete que la muchacha que sirve en casa de Don Magnifico es Cenerentola y se casa con ella. Ramiro rejects him mockingly and the three have to watch stunned as the Prince takes Cenerentola to the castle. LA CENERENTOLA by GIOACCHINO ROSSINI – the opera guide & sy... https://opera-inside.com/wp-content/uploads/2019/10/Opera-Inside-Cenerentola-Rossini-Handlung-Synopsis..png, https://opera-inside.com/wp-content/uploads/2019/03/opera-inside-wp.png, LA CENERENTOLA by GIOACCHINO ROSSINI - the opera guide & synopsis, EUGEN ONEGIN by PETER TCHAIKOVSKY – the opera guide & synopsis, DIE LUSTIGE WITWE by Franz Lehar – the opera guide & synopsis, LA CENERENTOLA by GIOACCHINO ROSSINI – the opera guide & synopsis. The minor key shows the sad life of the Cenerentola as domestic servant of the tyrannical sisters. The unfortunate father, with his financial ruin as real as ever, vows that he will have an explanation from the real prince. Dandini is still playing the prince and chatting with the sisters on behalf of Ramiro to check them for  Ramiro. (sorpresa riconoscendo per Principe Don Ramiro; si pone le mani sul volto e vuol fuggire) … If he really cares for her, she says, he will find her, giving him one of a matching pair of bracelets. Orchestre de la Suisse Romande Grand Théâtre de Genève Chorus . The sisters Clorinda and Tisbe admire themselves for their irresistible charm. Tutto e un deserto…un soave non so che  –  von Stade / Araiza. He pays the two exaggerated compliments and Don Magnifico already sees himself as the winner. Gina Galati Clorinda, Don Magnifico's daughter. Come un’ape ne’ giorni d’aprile  –  Desderi. Montarsolo was an outstanding actor. Alessandro Corbelli made his LAO debut in 2013 as Don Magnifico in La Cenerentola, returning in 2015 as Doctor Bartolo in The Barber of Seville. Like most of Gioacchino Rossini’s greatest hits, La Cenerentola … Signora una parola (Quintett) – Bartoli / Dara / Corbelli / Mateuzzi. Ramiro and Cenerentola are married, and celebrate their wedding at the palace. Her duet with Don Ramiro is by Rossnian standards almost quiet. He chose not pride, not beauty, but the one with the good heart. Synopsis: Magnifico wants to know from Dandini when the choice will be made. Ah che vedo! An overjoyed Ramiro steps forward; however, Cenerentola tells him that she's going home and doesn't want him to follow her. This appears in the characters of Cenerentola and Alidoro. Enzo Dara was a great buffo bass. Musicologists ennobled the composer with the technical term “Rossini crescendo”. Don Magnifico claims that the third daughter died. Carlo Rizzi Debutó como director de ópera en 1982, con … Ferretti proposed more than two dozen subjects without success. He is accompanied by a mysterious, veiled woman. Rossini, who had climbed into bed to be able to think better, sat up as straight as Aligheris Farinata. A furious Magnifico and his daughters return home, where they order Cenerentola, back in rags, to serve them. The two look at each other and feel strangely attracted to each other. Born in Turin, he studied singing with Giuseppe Valdengo and … The unknown beauty is found. Cenerentola and Ramiro recognize each other's bracelets; the others comment on the situation (sextet: "Siete voi?"). Magnifico is a classic Buffo role. La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. Les éléments surnaturels apparaissant dans le conte ne figurent pas dans le livret de Ferretti. The resonance at the beginning was moderate. Cenerentola, tired of being pursued by Dandini, tells him that she is in love with his servant. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. At the first performance, the opera was received with some hostility,[1] but it soon became popular throughout Italy and beyond; it reached Lisbon in 1819,[2] London in 1820 and New York in 1826. He may even be the best Rossini tenor since the World War II. Cenerentola Eh... Signor sì. He has a list in his hand stating that 3 daughters live in the household. Principe! The next day I sent it to Rossini. Everything will turn to the best for her today. Dandini tries to stall, but is forced to admit that he's actually the valet and not the prince at all (duet: "Un segreto d’importanza"). A replacement would have to be found. Gabriel Menendez Dandini, valet to the Prince. All these operas are versions of the fairy tale Cendrillon by Charles Perrault. After a few weeks, the success set in and in the following years it became even more successful than the Barber. Synopsis: Their stepsister Cinderella has to do all the work. Questo e un nodo avviluppato (Sestetto)  –  Abbado/Alva/Berganza. Non più mesta"). Cenerentola Son qui. Mikhail Smigelski Alidoro, philosopher. Everyone present acknowledges that she truly is worthy of the throne. In the so-called impresario system, the composers of that time were forced to write a lot. Dein ist mein ganzes Herz (Land des Lächelns), Dies Bildnis ist wunderschön (Zauberflöte), Madamina, il catalogo, Catalogue Aria (Don Giovanni), Unis dès la plus tendre enfance (Iphigenia). So all but Cenerentola make their way to the castle. I drank another glass of tea, agreed to the price and ran home. The composer nodded, wrapped himself in his clothes, and fell asleep. The singers around Teresa Berganza thus triggered a renaissance of this opera. Angelina, known to her stepfather and stepsisters as "Cenerentola", is forced to serve as the maid in her own home. (Opera La Cenerentola) Teatro Luz y Fuerza, San Telmo, Cap Fed. Enfin, l'acariâtre bell… In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. Magnifico fears that the arrival of the stranger could ruin his daughters’ chances to marry the prince. DECCA with Cecilia Bartoli, William Matteuzzi, Enzo Dara under the direction of Riccardo Chailly and the orchestra e coro del teatro comunale di Bologna. I: ‘If I don’t fall asleep tomorrow morning.’ Rossini: “Good night! Rossini then asked the librettist if he had some verses ready to start working on. Noé Colín cantante mexicano como Don Magnifico Miei rampolli femminini de la Opera "La Cenerentola" del compositor G.Rossini En idioma Alemán Cantantes Mexicanos. Par exemple, la pantoufle est remplacée par un bracelet afin d'éviter aux actrices de l'époque d'avoir à exhiber pieds et jambes aux yeux du public1. He has the task of researching the character of those who are willing to marry. This concertato, a standstill, is one of the famous passages of this opera. [4], "Opera Statistics for the 2008/09 to 2012/13 seasons show 137 performances", International Music Score Library Project, Libretto from Stanford University, in Italian only, Ciro in Babilonia, ossia La caduta di Baldassare, L'occasione fa il ladro, ossia Il cambio della valigia, Il signor Bruschino, ossia Il figlio per azzardo, Il barbiere di Siviglia, ossia L'inutile precauzione, La gazzetta, ossia Il matrimonio per concorso, La Cenerentola, ossia La bontà in trionfo, Adelaide di Borgogna, ossia Ottone, re d'Italia, Bianca e Falliero, ossia Il consiglio dei tre, Matilde di Shabran, ossia Bellezza e Cuor di Ferro, Il viaggio a Reims, ossia L'albergo del Giglio d'Oro, Moïse et Pharaon, ou Le passage de la mer rouge, Conservatorio Statale di Musica "Gioachino Rossini", Cinderella and the Prince, or The Castle of Heart's Desire, https://en.wikipedia.org/w/index.php?title=La_Cenerentola&oldid=980121760, Operas based on works by Charles Perrault, Articles containing Italian-language text, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 September 2020, at 18:43. Cenerentola returns, and she and Ramiro are attracted to each other (duet: "Un soave non-so che"), but when he asks who she is, she's overwhelmed and flees. Joyce DiDonato has made a name for herself with this role. She hands him over a bracelet and leaves the castle and asks him to look for her who is wearing the other piece of jewellery. Her Cenerentola of the sixties / seventies led to the rediscovery of this opera and today it belongs to the top 30 most performed operas. “Would you have the courage to write me a Cinderella? Cinderella is identified not by a glass slipper but by her bracelet. Dandini, his valet, has disguised himself as a prince.

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